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Discovering Motion E-Piano and Guitar

Track Length:  2.30

A pensive, determined, cinematic score. Perhaps the pivotal point or turning point in a story - a decisive moment. A sense of urgency, determination a...
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Discovering Motion Strings

Track Length:  2.36

A pensive, determined, cinematic score. Perhaps the pivotal point or turning point in a story - a decisive moment. A sense of urgency, determination a...
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Mad and Wild

Track Length:  3.30 | Additional Versions : 6

A stormful, staccato, orchestral / cinematic piece for drama, tv, documentaries, period drama, nature and more. Urgent, active, dramatic, danger, turm...
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Mad and Wild 30secs

Track Length:  0.30

Short edit created from the main music track. A stormful, staccato, orchestral / cinematic piece for drama, tv, documentaries, period drama, nature an...
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Mad and Wild 60secs

Track Length:  1.00

Short edit created from the main music track. A stormful, staccato, orchestral / cinematic piece for drama, tv, documentaries, period drama, nature an...
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Mad and Wild Accompaniment Only

Track Length:  3.29

Alternative version of the main music track. A stormful, staccato, orchestral / cinematic piece for drama, tv, documentaries, period drama, nature and...
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Mad and Wild Long Looping

Track Length:  1.44

A stormful, staccato, orchestral / cinematic piece for drama, tv, documentaries, period drama, nature and more. Urgent, active, dramatic, danger, turm...
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Mad and Wild No Piano

Track Length:  3.27

A stormful, staccato, orchestral / cinematic piece for drama, tv, documentaries, period drama, nature and more. Urgent, active, dramatic, danger, turm...
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Mad and Wild No Strings

Track Length:  3.27

A stormful, staccato, orchestral / cinematic piece for drama, tv, documentaries, period drama, nature and more. Urgent, active, dramatic, danger, turm...
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Critical Levels

Track Length:  2.57 | Additional Versions : 8

Monstrous big-beat, breaks and distorted bass guitars build up and explode into a Guy Ritchie chase scene theme. Super fast-paced and relentless, imag...
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