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Results for manic

Critical Levels 60secs v2

Track Length:  1.02

Short edit created from the main music track. Monstrous big-beat, breaks and distorted bass guitars build up and explode into a Guy Ritchie chase scen...
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Critical Levels Loop 01

Track Length:  0.27

Short edit for looping. Monstrous big-beat, breaks and distorted bass guitars build up and explode into a Guy Ritchie chase scene theme. Super fast-pa...
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Critical Levels Stinger 01

Track Length:  0.08

Short music stinger edit. Monstrous big-beat, breaks and distorted bass guitars build up and explode into a Guy Ritchie chase scene theme. Super fast-...
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Critical Levels Stinger 02

Track Length:  0.08

Short music stinger edit. Monstrous big-beat, breaks and distorted bass guitars build up and explode into a Guy Ritchie chase scene theme. Super fast-...
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Critical Levels Stinger 03

Track Length:  0.08

Short music stinger edit. Monstrous big-beat, breaks and distorted bass guitars build up and explode into a Guy Ritchie chase scene theme. Super fast-...
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Critical Levels Underscore

Track Length:  2.49

Alternative underscore version. Monstrous big-beat, breaks and distorted bass guitars build up and explode into a Guy Ritchie chase scene theme. Super...
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Cut Into Pieces

Track Length:  2.14 | Additional Versions : 11

Dark, moody and edgy underscore track with an industrial sound, starting with drones, pads and synths, then drums enter and the track continues to gro...
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Cut Into Pieces 15secs

Track Length:  0.15

15 seconds edit. Dark, moody and edgy underscore track with an industrial sound, starting with drones, pads and synths, then drums enter and the track...
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Cut Into Pieces 60secs

Track Length:  1.01

60 seconds edit. Dark, moody and edgy underscore track with an industrial sound, starting with drones, pads and synths, then drums enter and the track...
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Cut Into Pieces Loop 01

Track Length:  0.24

Short edit for looping. Dark, moody and edgy underscore track with an industrial sound, starting with drones, pads and synths, then drums enter and th...
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