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Results for gothix

Aftermath (BL)

Track Length:  1.39 | Additional Versions : 7

A suspenseful action blockbuster track, featuring a combination of synths, industrial elements and symphonic orchestra. Huge percussion ensemble and w...
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Aftermath 30secs (BL)

Track Length:  0.31

30 seconds edit. A suspenseful action blockbuster track, featuring a combination of synths, industrial elements and symphonic orchestra. Huge percussi...
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Aftermath 60secs (BL)

Track Length:  1.01

60 seconds edit. A suspenseful action blockbuster track, featuring a combination of synths, industrial elements and symphonic orchestra. Huge percussi...
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Aftermath Loop 01 (BL)

Track Length:  0.19

Short edit for looping. A suspenseful action blockbuster track, featuring a combination of synths, industrial elements and symphonic orchestra. Huge p...
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Aftermath Loop 02 (BL)

Track Length:  0.19

Short edit for looping. A suspenseful action blockbuster track, featuring a combination of synths, industrial elements and symphonic orchestra. Huge p...
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Aftermath Loop 03 (BL)

Track Length:  0.19

Short edit for looping. A suspenseful action blockbuster track, featuring a combination of synths, industrial elements and symphonic orchestra. Huge p...
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Aftermath No Perc (BL)

Track Length:  1.39

Alternative version of the main music track without percussion. A suspenseful action blockbuster track, featuring a combination of synths, industrial ...
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Aftermath Stinger 01 (BL)

Track Length:  0.09

Music stinger edit. A suspenseful action blockbuster track, featuring a combination of synths, industrial elements and symphonic orchestra. Huge percu...
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Edge of Oblivion

Track Length:  1.21 | Additional Versions : 5

A slowly rising suspense track orchestrated as a hybrid, combined with pulsating synths and symphonic orchestra. Ending as a loud trailer piece. 112 B...
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Edge of Oblivion 30secs

Track Length:  0.31

30 seconds edit. A slowly rising suspense track orchestrated as a hybrid, combined with pulsating synths and symphonic orchestra. Ending as a loud tra...
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