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Results for foreboding

Imperius No Horns

Track Length:  2.37

A hybrid orchestral track with special effects, big pounding percussion, orchestra and choir. Rousing, aggressive, and majestic. Dark / Ominous / Tens...
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The End of the World

Track Length:  1.20 | Additional Versions : 2

A dramatic orchestral track with big drums and a sense of forward movement, increasing towards a final crescendo. Foreboding, staccato. Marching and r...
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Eastern Tension

Track Length:  1.44 | Additional Versions : 3

A hybrid orchestral / electronic track with Middle Eastern influences. Some parts of this track are pensive, sneaky, uneasy - other parts more dramati...
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Eastern Tension Dubstep No Sitar

Track Length:  1.44

A hybrid orchestral / electronic track with Middle Eastern influences. Some parts of this track are pensive, sneaky, uneasy - other parts more dramati...
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Eastern Tension No Dubstep

Track Length:  1.44

A hybrid orchestral / electronic track with Middle Eastern influences. Some parts of this track are pensive, sneaky, uneasy - other parts more dramati...
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Eastern Tension No Dubstep No Sitar

Track Length:  1.44

A hybrid orchestral / electronic track with Middle Eastern influences. Some parts of this track are pensive, sneaky, uneasy - other parts more dramati...
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No Turning Back

Track Length:  1.36 | Additional Versions : 1

An ominous, dark and dramatic, orchestral / cinematic piece. Foreboding strings build up towards a change at about 30 seconds, into a more dramatic se...
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No Turning Back No Choir

Track Length:  1.36

An ominous, dark and dramatic, orchestral / cinematic piece. Foreboding strings build up towards a change at about 30 seconds, into a more dramatic se...
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The Space Station

Track Length:  2.29

Epic orchestra meets electronic music in this huge sounding track. Think Interstellar or Gravity. 129 BPM.
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Out of Time (B.G.)

Track Length:  4.24 | Additional Versions : 10

The clock is running down fast on this big Orchestral breakbeat number. Serious / Foreboding / Exciting. Hip Hop influence. 110 BPM.
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