Fear

Browse handpicked quality stock music for your multimedia projects.

Results for Fear

The Dark Path Loop Long

Track Length:  1.56

Long edit for looping. A dark, atmospheric track with an eerie and unnerving feel. Perfect for horror, Halloween, dark themed productions that need a ...
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The Dark Path Stinger

Track Length:  0.23

A dark, atmospheric music stinger with an eerie and unnerving feel. Perfect for horror, Halloween, dark themed productions that need a foreboding, men...
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Rubicons Trap

Track Length:  3.21 | Additional Versions : 12

Dark and pulsing, featuring tense strings, electronic textures and sparse punchy percussion creates a foreboding and fearful mood. 120 BPM.
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Rubicons Trap 17secs

Track Length:  0.17

Short edit created from the main music track. Dark and pulsing, featuring tense strings, electronic textures and sparse punchy percussion creates a fo...
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Rubicons Trap 35secs

Track Length:  0.36

Short edit created from the main music track. Dark and pulsing, featuring tense strings, electronic textures and sparse punchy percussion creates a fo...
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Rubicons Trap 60secs

Track Length:  1.02

Short edit created from the main music track. Dark and pulsing, featuring tense strings, electronic textures and sparse punchy percussion creates a fo...
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Rubicons Trap Loop 01

Track Length:  0.32

Short edit for looping. Dark and pulsing, featuring tense strings, electronic textures and sparse punchy percussion creates a foreboding and fearful m...
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Rubicons Trap Loop 05

Track Length:  0.32

Short edit for looping. Dark and pulsing, featuring tense strings, electronic textures and sparse punchy percussion creates a foreboding and fearful m...
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Rubicons Trap No Orch

Track Length:  3.23

Dark and pulsing, featuring tense strings, electronic textures and sparse punchy percussion creates a foreboding and fearful mood. 120 BPM.
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Rubicons Trap No Synth

Track Length:  3.01

Dark and pulsing, featuring tense strings, electronic textures and sparse punchy percussion creates a foreboding and fearful mood. 120 BPM.
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