Royalty Free Music A to Z

Use our A-Z list to find a specific track name, or use the search box below to find the track you're searching for.

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Results for T

Triceratops

Track Length:  2.51 | Additional Versions : 1

A gutsy and groovy power rocker with a mean riff and a bad attitude. 145 BPM.
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Taste It

Track Length:  1.59 | Additional Versions : 4

This quirky dance groove would suit modern technology themes, games, ads or an upfront TV show. Mixing trap beats, sweet piano licks and a futuristic ...
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Time To Scoot

Track Length:  1.26 | Additional Versions : 4

Eccentric, happy go lucky vintage novelty overture that sounds just totally bonkers. Bouncy, uptempo, energetic and suitable for cartoons, animations,...
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Tormentia

Track Length:  2.12 | Additional Versions : 4

Demented snatches of sound tumbling over a relentless, incessant rhythm. Dark and nightmarish with a quirky undercurrent. Builds to a dead stop from 1...
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Time Travel to the 80s

Track Length:  3.06

A somewhat bizarre, and slightly creepy, 1980's themed instrumental production with big synths and drums. Big and spacious - like travelling back in t...
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The Great Gate

Track Length:  2.39 | Additional Versions : 10

A brisk, epic-styled track for orchestra and choir evoking the feelings of wonder and amazement. Could be useful in a variety of dramatic but positive...
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The Sunset Isles

Track Length:  2.43 | Additional Versions : 10

A gently moving, melodic track for symphony and choir. Suggests a state of reminiscence and could work in scenes in which characters are experiencing ...
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The Scent of an Angel

Track Length:  1.49 | Additional Versions : 7

A beautiful and romantic piece for full orchestra. Melancholy yet hopeful. 97 BPM.
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The Spirit of the Great Tree

Track Length:  2.30 | Additional Versions : 7

An elegant, pure, delicate fantasy piece. Intimate yet grand and beautiful. 110 BPM.
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The Thorn of the Past

Track Length:  1.51 | Additional Versions : 9

A dark yet magical piece. Epic, with a focus primarily on full choir. Requiem feel. 70 BPM.
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