Not all royalty-free music is created equal. Here's what you need to know before playing music in your venue.
If you run a business or venue and want to play music without worrying about performance rights fees, you're in the right place. You've probably already come across PROs (Performance Rights Organisations) like PRS, PPL, ASCAP and BMI, and discovered that playing music in a public space means paying them a licence fee. It's a genuine headache for many business owners.
There's a lot of confusion around this topic, so let's clear up some of the most common misconceptions.
This is one of the most common misconceptions we come across. Despite the name, most royalty-free music is still registered with PROs, meaning they can charge for its use in public. The good news is that some music is purposely kept outside of PROs, and that’s what we call Public Safe Music.
It’s mostly created by independent composers looking to maximise income from their work. While public use of their music rarely generates meaningful earnings, being part of a PRO gives them a better chance of getting paid if their music is used on TV or radio, which is why most choose to register.
The answer isn’t a simple yes or no, as music copyright can be complex and varies depending on the situation. In some cases, composers can issue a waiver for the PRO side of their music, allowing it to be used without additional PRO royalties in certain contexts, such as on-hold systems or corporate video.
However, this depends on the rights they hold and the terms of their PRO membership. In many cases, once music is registered with a PRO, the organisation takes over the management of performance rights, which can limit what the composer can do independently.
Don’t assume that anything labelled royalty-free, stock music, or copyright-free automatically means there are no performance rights involved; in most cases, there are.
For some music in our library, including certain works where we have direct control, there may be options to license public performance directly rather than through a PRO. For third-party music that is registered with a PRO, public performance is handled through those organisations in the usual way. This means standard licensing requirements still apply when music is played in public venues.
If you’re unsure about a specific track, get in touch, and we can clarify.
This is an important question to ask any supplier, as it isn’t always clearly explained. Music that isn’t registered with a PRO today may be registered in the future, at which point it would fall under standard PRO licensing.
Some composers choose not to register their work, while others may register later depending on their circumstances.
Public Safe Music is music cleared for use in public venues. Some tracks are not registered with a PRO, while others may be PRO-registered and available for direct licensing depending on the agreement in place.
Is the Composer / Artist Losing Out if I Don’t Pay PRS, ASCAP or BMI?
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